Your Destination for Local Fine Arts and Crafts Since 1999
Sharyn has been depicting Western North Carolina with her watercolors for over 40 years, and has no plans to slow down. Misty mountains, old barns, Queen Anne’s Lace, and waterfalls are just a few of her favorite subjects. She uses many different weights of watercolor paper, and never tires of trying new paints, brushes, and surfaces. Continue reading “Sharyn Fogel”
“My art truly is 2,200 miles in the making. When I took that first step on the Appalachian Trail in Georgia on my way to Maine, I was searching for positive self-assurance in myself and my abilities. Along the way, I discovered more about myself and the world around me than I ever anticipated. The most significant discovery, something I always felt I lacked as an artist, was passion. Once I found that, everything seemed to fall into place. With every new piece I complete, my ultimate goal is for the viewer to experience emotions as if they were on their own self-fulfilling journey.”
I see creating art as a way to savor the beauty of God’s world. When I sit by a river, gaze at a waterfall, or take in the vastness of the mountains, I become awestruck and deeply moved. For me the world of nature speaks of constancy, order, variety, balance, and vibrancy. It hums a melody of peace and conflict while it calms our hearts. It is full of mystery and delight. Continue reading “Barbara Hawk”
My process starts with dyeing yarn and fabrics using several type of dyes, depending on the results I seek. I may then further enhance the fabric using a variety of surface design techniques. I’m continually experimenting with new processes. My fibers include textured silk, cotton, rayon, wool, mohair, and alpaca. I collect vintage fabrics and love to incorporate them into my weavings for dynamic effects. Continue reading “Brenda Cameron”
Much of my inspiration is taken from woodworkers of the “mid century modern” period, such as George Nakashima and Sam Maloof. I use natural oils and varnishes as finishes, and do not stain my work so the natural character of the wood is preserved. Continue reading “Chuck Evans”
I make wall hangings, trivets, and coasters from wood using parquetry technique. My geometric patterns, quilt patterns, and scrollsaw work can create 3D effects in 2D work. In my Parquetry art, I use 1/8-inch thick pieces of wood inlaid on a craft-quality ply-back board. Continue reading “David Adler”
After the copper is cleaned in an acid bath, it is fired multiple times in a kiln with temperatures ranging between 1850 and 2000 degrees with the desired colors and design. Each piece is fired about two minutes, taken out, cooled and re-fired with additional colors. I use forms for jewelry, switch plates, bowls, dishes, etc. Continue reading “Freddie Hart”
Combining light, color, line, texture, form and depth into a compelling image that tells a story is my goal in photography. When selecting a print medium for the finished image such as canvas, aluminum or various photographic papers, I try to choose the one that best complements the subject. Continue reading “Jack Christfield”
My original designs are mainly constructed in the copper foil method of stained glass, also known as Tiffany style. Each piece of glass is cut, ground, then wrapped with a copper foil tape. The solder adheres to the copper foil and that’s how the piece is held together.
My styles range from geometric to abstract incorporating materials not usually found in stained glass art such as geode slices, mineral specimens, vintage glass jewels and thrift store finds. Continue reading “Cheryl Stippich”
I create fine woodworking from the Arts and Crafts movement, with a slant toward Asian influence. Being creative in my woodworking designs and a day in the workshop is a relief from the exasperating world. It always puts me in my “happy space.” For me, expressing my craft in smooth flowing designs with the natural beauty and character of the wood is a key choice in my work. My projects are made to be touched and will bring warmth into your home. Continue reading “Tom D. Sims”